My previous experience with Norse myths is minimal. I’ve watched some of the operas in Wagner’s Ring Cycle, but it was many years ago. I’ve come across some Norse stuff tangentially in my reading as an English and Spanish major in college. My lack of background in Norse mythology is not a real hindrance in this case because Byatt’s writing is so clear. Furthermore, the more I read of Ragnarok, the more I realized that I have heard these tales retold in other guises, or, at least, I’ve read books that are heavily influenced by Norse mythology, including the Harry Potter and The Lord of the Rings books.
The framing device for Ragnarok is the story of the thin child, a stand-in for Byatt herself, who is evacuated from London to the country during World War II. The thin child’s mother gives her a copy of Asgard and the Gods, which is a German retelling of Norse myths. In the author’s note, Byatt acknowledges that she wrote her version of Ragnarok as a child discovering the myths, which explains the straightforward style she uses. The framing device also works in a way that allows Byatt to talk about how she, as a child, developed her worldview. She’s not into the Christian, redemptive ending: she always expects a dark end, much as the dark end of the gods destroying each other in Ragnarok.
This is a slim volume that I could have read in an afternoon, but I spread it out over a couple days. Because it is so slim, it’s hard to write a longer review. This piece is a collection of stories of the end of the Norse gods written in an accessible style. It also contains interesting discussions about the nature of myths versus the nature of fairy tales. It’s about the stories as well as about the nature of storytelling.
Ragnarok: The End of the Gods by A.S. ByattGrove Press
Publication Date: February 1, 2012
Source: Publisher via NetGalley